January 2026
Usūl presents a visual articulation of the three foundational principles of Shi'a Islam—Tawḥīd, Nubuwwah, and Imāmat—translated into a single, ordered composition. At the center, the name Allah is rendered in square Kufic, establishing an unmoving axis that represents absolute unity. Encircling the core, the names Muhammad and Ali are arranged in a continuous geometric rhythm, expressing the transmission and preservation of divine guidance without disrupting the primacy of oneness.
The composition relies on hierarchy, repetition, and symmetry rather than ornamentation. Each surrounding element derives its meaning through relation to the center, reinforcing the idea that guidance is structured, continuous, and inseparable from its source. Executed in carved wood, the work grounds sacred geometry in a natural material, symbolizing creation as the medium through which divine order becomes legible. Usūl functions not as decorative calligraphy, but as a spatial diagram—where belief is communicated through proportion, material, and permanence.
January 2026
This elevated pavilion, raised 13 feet above the ground, serves as a tranquil retreat for meditation and reflection. Its polished concrete exterior provides a minimalist, grounded presence that harmonizes with the surrounding forest, while the open design allows natural light and air to flow freely, creating a seamless connection with nature. A central stone seating element invites visitors to pause, sit, and engage with the space in quiet contemplation.
The pavilion’s surroundings are carefully integrated into the design, with natural stone flooring and subtle plantings that enhance its serene atmosphere. Shadows and light shift throughout the day, emphasizing the pavilion’s connection to natural rhythms. Combining simplicity, functionality, and harmony with the environment, this structure creates a peaceful sanctuary where visitors can retreat from daily life and reconnect with themselves.